Symphony in One Movement (1981/2020)
Symphony in One Movement, composed in 1981, was originally scored for orchestra and transcribed for wind band in early in 2020.
Symphony in One Movement, composed in 1981, was originally scored for orchestra and transcribed for wind band in early in 2020.
Winner of Absolute First Prize for an Original Composition in the Golden Prestige International Music Competition 2025
During my visit to Switzerland in 1981, I met (the late) John Golland who encouraged me to compose a piece for him and his band in Dukinfield.
The single purpose behind writing the Seventh Symphony was to render a piece made entirely of patrician music – nothing surprising or edgy.
The opening three notes of the Symphony No. 2 not only comprise the beginning of the fugue subject of the first movement, but they also reappear in the other movements as an idée fixe.
Symphony No. 1 has no exact, underlying program. It goes beyond the realm of the absolute and presents music to the listener as moments and images.
Chamber music can often be transcribed and expanded for performance by a large ensemble, and Etude Symphonique is an example of how this can be done with satisfying effect.
Dance Etudes, composed in 1979, was commissioned for Festliche Musiktage Uster 1981.